Here you can see the exhibitions we have made in La Factoría de Papel
From June 21 to July 26. Series of works as a result from the last three years which make us perceive a different reading of so many elements that we coexist with daily.
In these works, Alberto becomes a collector of latent symbols, a hunter for meanings and a scrutiniser of the unnoticed.
Exhibition from May 18 to June 16. Sample of works made in Chinese ink on paper. The undisputed protagonist of this exhibition is the color in its purest state, black. Pieces from 25 x 25 to 100 x 70 cm.
From April 12 to May 12. A research paper on the fusion of different stamping techniques performed on a support as unusual as the black iron sheet, with the intention of deepening the characteristics of the stroke of Eduardo Arroyo, with the Carmen Amaya figure as inspiration.
From March 2 to 22, 2018. Jorge Chamorro shows, for the first time in Madrid, a selection of collages made during these years in Berlin. All are analog, without digital manipulation, using only photographs from books and magazines, scissors and a lot of glue.
From February 1 to 24, 2018. Most of the pieces are loose or variable compositions, without fixing and the fragments of paper that compose them are joined only by the space they occupy … if they are not glued, they are not ” collages. “
From January 11 to 25, 2018. Paty Zoto looks for objects to speak for themselves, she would like to move away, make her personal signs disappear. She wants to become a found subject that collects found objects.
From December 14, 2017 to January 5, 2018 Third edition of this collective exhibition in which we take as a starting point all those tests and errors that arise during the edition of a work.
From November 16 to December 9, 2017, forty photographs serie taken by Fernando Maquieira between 2007 and 2017. It belongs to the exclusive street photography club. First exhibition of the complete series.
From October 19 to November 3, Drawing as a narrative tool with the objective of capturing the reality we inhabit, through a mechanic that develops the narration in parallel to the plastic skill in the management of watercolor, configures a universe of its own unrepeatable
From September 16 to October 7. Almudena Armenta, Ana Juan, Berta López, Eduardo Arroyo, Elena Jiménez, Fernando Bellver, Imanol Bértolo, Jorge Arranz, Mar Solís, Marcelo Burgos, Mariano Otero, Pep Carrió, Laura Martinez Lombardía, Raquel Hernández Izquierdo, Matz Mainka, Montse Lago, Saskia Moro …
From June 20 to July 15. Collages, photomontages, monotypes or sketches: press illustrations that get the reader to decipher image and article in a single look. Made by Raúl, published in El País
Del 27 de abril al 20 de mayo. Exposición de 50 originales de Jorge Arranz resumen de la multitud de sensaciones recibidas tras varios días de patear, sin rumbo fijo, una ciudad que pertenece al mundo.
From May 30 to June 17. Exhibition of Collages by Elisa Arroyo made with engravings of the author, original work. The unpredictable character, in the process of graphic arts, specifically hollow engraving.
From February 23 to March 18, 2017. This exhibition consists of a series of engravings, made by Raquel Hernández Izquierdo at La Factoría de Papel, which are a walk through the registration of natural transformations.
Del 19 de enero al 11 de febrero. Trabajos con aguja e hilo, lápiz, piedra, papel, tijera, tinta, ganchillo, serigrafía, cuerda, cuchillo, grabado, cerámica, fotografía, caligrafía, encaje de bolillos, tratando de digerir el día a día y construyendo un eterno bodegón visceral.
From December 15, 2016 to January 14, 2017. Collective exhibition of works on macules. As in the previous edition of 2014 we take as a starting point all those tests and errors that arise during the edition of an artistic work.
From November 8 to December 3 2016. Key pieces of this artist’s production in recent years. Different pictorial and sculptural techniques on different materials, a deep investigation, a varied and exquisite artistic activity.
From October 6 to 29. Complicity between work, spectator and Nahuel Tupac Losada that leads to aesthetic pleasure, semiological conversation and emphatic dialogue, in the sense of interpellation, provocation and friction.